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・ The Cavalcade of Scaër
・ The Cavalier (film)
・ The Cavalier Daily
・ The Cavalier from Kruja
・ The Cavalier of the Streets
・ The Cavalier Song
・ The Cavalier's Cup
・ The Cavaliers
・ The Cavaliers Drum and Bugle Corps
・ The Cavanaughs (TV series)
・ The Cavanaughs (web series)
・ The Cavanilles Institute
・ The Cave
・ The Cave (film)
・ The Cave (novel)
The Cave (opera)
・ The Cave (play)
・ The Cave (pub)
・ The Cave (song)
・ The Cave (video game)
・ The Cave Boy of the Age of Stone
・ The Cave Canem Demos
・ The Cave Comes Alive!
・ The Cave Girl
・ The Cave Girl (film)
・ The Cave of the Golden Calf
・ The Cave of the Silken Web
・ The Cave of the Silken Web (1927 film)
・ The Cave of the Silken Web (1967 film)
・ The Cave of the Storm Nymphs


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The Cave (opera) : ウィキペディア英語版
The Cave (opera)

''The Cave'' is a multimedia opera in three acts by Steve Reich to an English libretto by his wife Beryl Korot. It was first performed in 1993 in Vienna by the Steve Reich Ensemble, conducted by Paul Hillier. The title "The Cave" refers to The Cave of the Patriarchs in Hebron, where Abraham and Sarah (and several other major religious figures) are buried.
The Cave of the Patriarchs is of unusual interest in that it is a sacred place where Muslims, Jews and Christians pray. The music and a major part of the libretto in the opera is derived directly from, and includes spoken responses from, Israeli, Palestinian and American interviewees who were asked questions about the story of Abraham. The sound track also includes readings from the religious texts that detail the story of Abraham, and a recording of the ambient sound that is found in the ancient building that surrounds the sacred site.
==Plot==

The main narrative thread that runs through the opera is the story of the life of Abraham, as it is told in the various religious texts, and how this story is now understood and interpreted, using modern-day accounts by individual people from three different major religious and cultural contexts. During the individual interviews, Steve Reich and Beryl Korot asked questions such as "Who is Abraham?", "Who is Sarah?" and "Who is Ishmael?" and recorded answers that were given by Israeli, Palestinian and American interviewees. These three groups of people viewed the story of Abraham/Ibrahim and his immediate family in varying ways.
Brief spoken extracts from the interviews were used both as they were, and also as repeated musical phrases based on the words spoken. The melodic phrases used in the opera are all taken directly from the intonations of the natural spoken words (the prosody) which can be heard in the phrases and sentences spoken by the individuals who were interviewed. Images of the interviewees are also used on an array of video screens.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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